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This Norton Critical Edition of Death and the King's Horseman is the only student edition available in the United States. Based on events that took place in 1946 in the ancient Yoruban city of Oyo, Soyinka's acclaimed and powerful play addresses classic issues of cultural conflict, tragic decision-making, and the psychological mindsets of individuals and groups. The text of the play is accompanied by an introduction and explanatory annotations for the many allusions to traditional Nigerian myth and culture.
"Backgrounds and Sources" helps readers understand Death and the King's Horseman's traditional African contexts and the role of theater in African culture. Included are a map of Yoruba-land, discussions of Yoruban religious beliefs and cultural traditions, Soyinka on the various forms that theater has taken in African culture in order to survive, and Anthony Appiah on Soyinka's struggle with the problem of African identity in the creation of Death and the King's Horseman. Commentary on the play as both a theatrical production and a classroom text is provided by Gerald Moore, Tanure Ojaide, and Martin Rohmer."Criticism" collects nine major essays on the play and the difficulties it presents to readers. Contributors include D. S. Izevbaye, Eldred Durosimi Jones, Henry Louis Gates Jr., Biodun Jeyifo, Wole Soyinka, Joan Hepburn, Adebayo Williams, David Richards, and Olakunle George.
A Chronology and Selected Bibliography are also included.
- Sales Rank: #22314 in Books
- Brand: Soyinka, Wole/ Gikandi, Simon (EDT)/ Gikandi, Simon
- Published on: 2002-11-05
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.20" l, .60 pounds
- Binding: Paperback
- 228 pages
Review
This play, by the winner of a Nobel Prize for Literature, asks: 'On the authority of what gods' the white aliens rupture the world. It puts exciting political theatre back on the agenda... a masterpiece of 20th century drama Guardian A transfixing work of modern world drama Independent clearly a masterpiece... he achieves the full impact of Greek tragedy Irving Wardle, Independent on Sunday the action of the play is as inevitable and eloquent as in Antigone: a clash of values and cultures so fundamental that tragedy issues: a tragedy for each individual, each tribe Michael Schmidt, Daily Telegraph
About the Author
Wole Soyinka, one of Africa's foremost writers, won the Nobel Prize in 1986 and is the author of Death and the King's Horseman, among other works.
Simon Gikandi is Robert Hayden Professor of English Language and Literature at the University of Michigan. His books include Reading the African Novel, Writing in Limbo: Modernism and Caribbean Literature, and Maps of Englishness: Writing Identity in the Culture of Colonialism. He is editor of the Ngugi wa Thiong’o volume in the Cambridge Studies in African and Caribbean Literature series. He is presently editing The Encyclopedia of African Literature (Routledge).
Most helpful customer reviews
11 of 13 people found the following review helpful.
Very stirring
By Giovanni Papiro
I read this book in 1996, and I still remember almost every detail because it was so stirring, so moving. It is about pride and obligations and how the two shape one's role in society. It made me review my own definitions of these two things, my own life in different societies. I'm delighted to have read this book and will be reading it many times over.
18 of 24 people found the following review helpful.
One Great Writer
By Ross Ike
At a university seminar in the US recently, Prof. Soyinka was asked to respond to charges by certain critics that his writing wasn't 'African' enough. He responded, saying "The people who say these things, I refer to as neo-Tarzanists, people whose Africa is the Africa of Tarzan, swinging from tree to tree. That's not my Africa", he said, to a standing, thunderous ovation. It is difficult to imagine a writer in English today with a wider grasp of the language. Some of his work is unbelievable - metaphor, irony, the supernatural, interwoven with tragedy, lyricism, and language. Top-draw.
2 of 2 people found the following review helpful.
Powerful Play from the Nobel Prizewinner
By IamNateDavis
Be sure to read the author's note, because if you don't, you might take it as an East vs. West, colonial vs. tribal, new vs. old story as it would appear on first reading. But in his note, Soyinka states that the "threnodic essence" of the work is a theme even more universal: "the numinous passage which links all: transition." Change is indeed common to us all, and as my mother-in-law points out, change is usually perceived as bad. Yet change is something we all must come to terms with, and since one of literature's great benefits is to act as a mental dress rehearsal for life, this lean play (acessible on first reading, yet rich enough to reread) should find a place on every thoughtful reader's shelf.
The university-educated Soyinka (as one can infer from the author's note) has quite the erudite vocabulary, yet the prose style of Death and the King's Horseman reminded me more of ancient Greek tragedy in translation than anything else: simple yet poetic phrasing, and the homespun proverbial sayings of a pre-industrial age. What struck me as an information-age Westerner was how many of these Yoruba sayings (being related to animals or farming) were hard to relate to; an incidental lesson of this book was how detached from the natural world I've become. Visiting nature for recreation isn't the same as having your livelihood dependent on it.
Another aspect of this play that happens to be particularly interesting in juxtaposition to the film juggernaut of Avatar is that neither the Nigerian characters nor the English are portrayed as completely right or wrong, sympathetic or not. Sure, the English come off as somewhat ignorant intruders, yet they act in good faith; conversely, Elesin, the protagonist, initially appears heroic but as events unfold he grows less so. Whereas in Avatar the modern Westerners are evil caricatures and the Na'vi noble savages, in Soyinka's work matters are more nuanced--more like real life.
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